Full Length Reviews
Man of Steel begins with the birth of Kal-El. From there we see Jor-El confer with the Council of Krypton regarding the current state of Krypton and how it has weeks before its destruction. During this meeting General Zod appears and announces that he intends on disbanding the Council due to their having done nothing about the current crisis affecting Krypton. He asks Jor-El to help, to which he denies. General Zod has him taken into custody, but he quickly escapes and retrieves the Codex. Jor-El then takes the Codex back home and infuses it into Kal-El’s body before sending him to Earth. In addition to the Codex, Jor-El also creates a sort of Flash Drive that stores a copy of his personality.
Robbie Reyes was on the verge of death. Past tense. Now, he was on the verge of… something else. To any onlookers, it would look like another life. As though he had made some sort of miraculous recovery. As though he cheated death.
But that’s not how Death works. Death cannot be cheated. But, He can be bargained with. And that’s exactly what Robbie had done. He made a deal with Death – a deal with the Devil – that had given him a second chance; a chance to save the woman he loved. And he wasn’t going to squander it. He would save her. But, once that task had been completed… what terror would lie in wait for him as the Devil’s Spirit of Vengeance?
Robbie Reyes was on the verge on the death. Past tense. Now, he was on the verge of… something else. To any onlookers, it would look like another life. As though he had made some sort of miraculous recovery. As though he cheated death.
But that’s not how Death works. Death cannot be cheated. But, he can be bargained with. And that’s exactly what Robbie had done. He made a deal with Death – a deal with the Devil – that had given him a second chance; a chance to save the woman he loved. And he wasn’t going to squander it. He would save her. But, once that task had been completed… what terror would lie in wait for him as the Devil’s Spirit of Vengeance?
While Batman/Superman #1 gives its biggest surprise away via its preview, it does little to take away from the fact that Joshua Williamson has taken Scott Snyder’s version of Batman and Gotham and built upon it in a genuinely interesting way. It has been over three years since there has been a comic that saw our titular heroes team up on their own, and the first issue definitely has me excited to see where things will go as we dive deeper into discovering the identities of the Secret Six – as well as how the two will ultimately defeat them.
The second issue of Batman: Curse of the White Knight begins by taking us back to the seventeenth century, wherein we see Edmond Wayne taken by the local authorities for breaking into Wayne Manor. We find out that the Wayne’s have apparently all died from the Plague, meaning that Edmond is the last heir to the Wayne legacy – though, he doesn’t tell this to the authorities. While he rides in the back of the carriage, his guard reveals that he knows who Edmond is, and then, the two make a bloody escape towards the port – hopping aboard a vessel and making their way towards Gotham Valley.
This third issue of Silver Surfer: Black, just like those the two that proceeded it, begins in the past. Or, really, the future. (Time travel is funny that way.) The issue begins with a panel of the void, which is then followed by a panel of an objectively beautiful woman who is calling out to Norrin. The next panel transitions back to the darkness, followed by a panel that intermixes the woman with the darkness of the void. I like this because it illustrates the fact that, to Norrin, this woman is able to cut through the darkness of the void.
Perhaps that’s why, when confronted with the version of Jonathan Kent from Man of Steel, I didn’t see any issue with him - and, quite frankly, I still don’t. I mean, my understanding of Jonathan Kent is that he loved his son Clark and wanted nothing but the best for him. And, quite frankly, I don’t see much of a departure in that sense. I think the difference here is the fact that cartoons like the ones I mentioned depict the love he has for his son in a way that’s easily accessible to children - which, makes sense, they are kids shows. That’s not to say adults can’t enjoy them - I literally just watched The Last Son of Krypton on HBO Max the other day.